C L E A R I N G
is pleased to announce
Superamas
An exhibition with works by Harold Ancart, Jean-Marie Appriou, Koenraad Dedobbeleer, Marguerite Humeau, Valerie Keane, Sveta Mordovskaya, Eduardo Paolozzi, Marina Pinsky, Loïc Raguénès, Lili Reynaud-Dewar, Margaux Schwarz, and David Weiss.
May 6, 2021 - June 6, 2021
C L E A R I N G, Brussels
Loïc Raguénès
La brûlante matinée de février au cours de laquelle mourut Beatriz Viterbo, après une impérieuse agonie qui pas un seul instant ne se rabaissa au sentimentalisme ni à la peur, je remarquai que sur les porte-affiches en fer de la place de la Constitution on avait renouvelé je ne sais quelle annonce de cigarettes de tabac blond ; le fait me peina, car je compris que l’incessant et vaste univers s’éloignait d’elle désormais et que ce changement était le premier d’une série indéfinie, 2021
Tempera on canvas
26 3/4 x 30 3/4 inches – 64 x 78 cm
Margaux Schwarz
To Land or not to Land, 2021
Script, archival, storage box
Jean-Marie Appriou
Toga Astronaut II, 2020
Bronze, aluminum, glass
53 1/8 x 33 3/4 x 15 inches – 135 x 86 x 38 cm
Harold Ancart
Untitled, 2021
Oil stick and pencil on canvas, artist’s frame
85 1/4 x 69 1/4 inches – 216,9 x 176,2 cm
Jean-Marie Appriou
Seated astronaut I, 2021
Bronze, hand blown glass
27 1/8 x 23 1/4 x 8 1/4 inches – 69 x 59 x 21 cm
Jean-Marie Appriou
Standing astronaut VI, 2021
Bronze, hand blown glass
47 5/8 x 20 7/8 x 13 3/8 inches – 121 x 53 x 34 cm
Lili Reynaud-Dewar
TEETH GUMS MACHINE FUTURE SOCIETY (Gironcoli), 2017
HD Video
4’26” looped
Lili Reynaud-Dewar
TEETH GUMS MACHINES FUTURE SOCIETY (One Body, Two Souls), 2017
HD Video
4’34”, looped
Marina Pinsky
Gest, 2015
Wood (5 parts) on aluminum foam base
31 1/2 x 47 5/8 x 4 3/4 inches – 80 x 121 x 12 cm
Marguerite Humeau
The Origin of Humankind II, 2019
Black ink pen on layout paper, wood frame
18 1/4 x 21 3/4 inches – 46.5 x 55.2 cm
Sveta Mordovskaya
Bioconversion, frontal method, 2020
Ceramic and found objects
12 5/8 x 19 1/4 x 4 3/8 inches – 32 x 49 x 11 cm
Sveta Mordovskaya
Punks on Mars, 2020
Ceramic and found objects
13 x 3/4 x 16 1/2 x 4 inches – 35 x 42 x 10 cm
David Weiss
Die zerstören noch den ganzen Würfel!, 1975
felt-tip pen on paper
14 5/8 x 19 1/4 inches – 37 x 49 cm
Koenraad Dedobbeleer
Victims of Structural Change Can Also Be Intolerant, 2019
Powder-coated steel, pickles
55 x 22 x 22 inches – 140 x 58 x 58 cm
Koenraad Dedobbeleer
What Is Manipulated Is the Real Rather Than the Symbolic – Made in China, 2019
Powder coated stainless steel, chrome plated stainless steel, brass, plastic
78 3/4 x 118 x 23 1/2 inches – 200 x 300 x 60 cm
Koenraad Dedobbeleer
The Trompe l’oeil of a Peaceful, Moderate and Consensual Society, 2019
Powder-coated steel, pickles
29 1/2 x 10 x 10 inches – 75 x 25 x 25 cm
David Weiss
Untitled, 1976
Indian ink on paper
24 3/8 x 32 1/4 inches – 62 x 82 cm
David Weiss
Untitled, 1976
Indian ink on paper
24 3/8 x 32 1/4 inches – 62 x 82 cm
David Weiss
Untitled, 1976
Gouache and Indian ink on paper
24 3/8 x 32 1/4 inches – 62 x 82 cm
David Weiss
Untitled, 1976
Indian ink on paper
24 3/8 x 32 1/4 inches – 62 x 82 cm
Valerie Keane
Afterburner, 2016
Stainless steel, acrylic
68 1/8 x 13 3/4 x 2 3/8 inches – 173 x 35 x 6 cm
Jean-Marie Appriou
Seated astronaut II, 2021
Bronze, hand blown glass
27 1/8 x 23 1/4 x 8 1/4 inches – 69 x 59 x 21 cm
Valerie Keane
Skinsuit at the Castle, 2016
Stainless steel, acrylic
70.9 x 25.6 x 2.8 inches – 180 x 65 x 7 cm
Eduardo Paolozzi
Theory of Relativity, 1967
Screenprint on paper
36 1/3 x 23 1/3 inches – 92.4 x 59.4 cm
C L E A R I N G